Red paint is poured on the statue called #silentsam at #uncchapelhill; a statue that celebrates a racist history in a public space unavoidable to students and community members who are threatened by it and the white supremacy it represents.

Confederate context

I stand with UNC PhD student Maya Little who was arrested today for pouring blood and paint on Silent Sam. Here is her statement:

Maya Little was arrested today after pouring red paint on the statue called #silentsam at #uncchapelhill; a statue that celebrates a racist history in a public space unavoidable to students and community members who are threatened by it and the white supremacy it represents. https://www.instagram.com/p/BiNQ5jbA4Ql/I have been an organizer for the Silent Sam Sit-In since September 2017, when campus police confiscated the belongings of the 24 hour occupiers. Every weekday we provide context around the statue. This is an opportunity to teach. It is also our duty to continue the struggle against white supremacy that countless others have led since black students have been on this campus. The statue, a symbol of UNC’s commitment to white supremacy, has been defaced and protested since 1968. Yet the statue remains on campus 50 years later. These last 5 years Carol Folt has been chancellor and she has not taken a single step towards removing Silent Sam. The armed, Confederate soldier dedicated and built by racists during Jim Crow has remained. However, the dedication and courage of each successive group of students fighting for racial equality at UNC has made our message louder and clearer. The threat of Neonazis and white supremacists marching on our communities has made it more urgent.

Chancellor Folt and the administrators are more dedicated to silencing us. In her first two years, there was no state law against removing the statue. She has heard countless activists tell her the statue’s presence dehumanizes and threatens people of color. The governor has written an open letter asking her to remove the statue. White supremacists have marched around Silent Sam and threatened violence. How has Folt responded? She has called us outside agitators. She has refused to call a statue dedicated for and by proud racists, white supremacist. She has never met with members of the Sit In. She has allowed white supremacist groups to invade this campus. She, Derek Kemp, and Jeff McCracken appointed a campus police officer to go undercover, lie about his identity, and gather information on us. According to McCracken, they continue to spend $1,700 dollars per day to protect the statue.

What do you see when you look at this statue, Chancellor? We see the mutilation of black bodies, the degradation of black people, the celebration of an army that fought for our ancestors’ enslavement. I see Julian Carr whipping a black woman. I see your willingness to traumatize, dehumanize, and endanger every black person on this campus. We see our blood and now you will too.

Today I have thrown my blood and red ink on this statue as a part of the continued mission to provide the context that the Chancellor refuses to. Chancellor Folt, if you refuse to remove the statue, then we will continue to contextualize it. Silent Sam is violence; Silent Sam is the genocide of black people; Silent Sam is antithetical to our right to exist. You should see him the way that we do, at the forefront of our campus covered in our blood.

But UNC does not want this context. Chancellor Folt will order Silent Sam to be cleaned immediately. But she should clean my blood and the ink off Silent Sam, not campus workers. The Chancellor and all who have used their power to keep Silent Sam here must embrace the truth about UNC. UNC is Silent Sam. Chapel Hill is Silent Sam. The statue stands smirking and defiant representing a community that has failed many times to work for justice and racial quality. Chancellor, the blood is on your hands.

Folt cares more about plastering our black faces over the Campaign for Carolina than about our safety, our dignity, our right to exist on this campus. Black community members are harassed by campus police. Black athletes are exploited by this university for the Tar Heel brand. Black faculty are not retained. Black students are forced to live and study in buildings named after people who made their fortunes through the sale of black children.

But we are not silent. The statue will be contextualized to show UNC’s racist past and present. You, Chancellor Folt—and your donors, the students you recruit, the alumni you cater to—will be forced to see it until every facet of white supremacy on this campus has been removed.

 

Photos by https://www.instagram.com/dhosterman/

Silent Sam, 1913

Silent Sam must go

I graduated from the University of North Carolina in 1993. Even then we questioned why any soldier, not to mention one abstracted from a war that divided the country in an effort to preserve the horrible institution of slavery, should be in such a position of honor for all to see.

The purpose of Confederate remembrance is to embrace those principles of white supremacy. This is true of Silent Sam and of other monuments that were erected in an attempt to revise history. Keeping them up does not help us remember our past, but instead creates a false memory in which racism didn’t shape our country.

This fake history prevents us from being able to understand our present, in which racism is clearly alive and well. Putting the statues up was an effort to erase history. Taking them down moves us one step closer to better understanding our past and hopefully making a better future.

New Orleans Mayor Mitch Landrieu said it much better than I ever could. Here are some excerpts of his speech about removing Confederate monuments in New Orleans:

“These statues are not just stone and metal. They are not just innocent remembrances of a benign history. These monuments purposefully celebrate a fictional, sanitized Confederacy; ignoring the death, ignoring the enslavement, and the terror that it actually stood for.

After the Civil War, these statues were a part of that terrorism as much as a burning cross on someone’s lawn; they were erected purposefully to send a strong message to all who walked in their shadows about who was still in charge in this city.”

“To literally put the confederacy on a pedestal in our most prominent places of honor is an inaccurate recitation of our full past, it is an affront to our present, and it is a bad prescription for our future.

History cannot be changed. It cannot be moved like a statue. What is done is done. The Civil War is over, and the Confederacy lost and we are better for it. Surely we are far enough removed from this dark time to acknowledge that the cause of the Confederacy was wrong.”

– http://pulsegulfcoast.com/2017/05/transcript-of-new-orleans-mayor-landrieus-address-on-confederate-monuments

 

Image source: https://commons.wikimedia.org/wiki/File:Silent_Sam_1913.jpg

During University Day 1976, students protested the reallocation of Upendo Lounge in Chase Hall. (The Daily Tar Heel, October 13, 1976.)

Student activism is UNC

I’ve been enjoying this excellent UNC History site with an interactive timeline of the successful student activism that led to the creation of the Sonja Haynes Stone Center for Black Culture and History that we know and love today.

Don’t let Carol Folt or anyone else tell you activism is anathema to The University of North Carolina at Chapel Hill. UNC students have been on the vanguard of social changes for many decades, and our state is the better for it.

See also the 1960s Speaker Ban, organizing food workers and housekeepers, and hosting the first-ever student environmental conference in 1989. That’s just a handful of examples off the top of my head. UNC’s legacy IS activism. Even if you never picked up a sign or chanted a slogan, if you live in NC you benefitted from that spirit of optimism and change.

 

Photo: During University Day 1976, students protested the reallocation of Upendo Lounge in Chase Hall. (The Daily Tar Heel, October 13, 1976.) http://unchistory.web.unc.edu/building-narratives/sonja-haynes-stone-center-black-culture-history/